I recently read and pored over every picture in this
delightful book by Roderick Kiracofe. He
has assembled a unique collection of quilts from yard sales, online auctions
& thrift stores. Although most people wouldn't
call any of these quilts traditionally beautiful, most are visually striking in some way. Included with the plentiful images are essays
by various quilt and fiber art experts including curators of museums and
well-known quilters Denyse Schidt and Kaffe Fassett.
What makes this book so great is the celebration of quilts
that were everyday quilts - the ones we actually grew up sleeping under. Not the precise patterns and carefully
selected color schemes that hobbyists and sewing professionals (like myself) create
these days, but the haphazard collection of fabrics from a multitude of
sources, sewn together in meager spare time.
Maybe there was no filling, perhaps the backing was something strange, and
it may not have been quilted, but it was a quilt we loved.
The quilts of my youth were of this type. They came from my great aunt, who made them
to keep family members warm in the 40s and 50s. Her husband was a tailor and he gave her old
suiting samples. The wool rectangles
were usually 4"x8" and pinked on all sides. My aunt sewed them up in random combinations as
she received them, backed the assemblage with cut up old shirts and always tied
the quilt with bright red acrylic yarn. There
was no batting, but these quilts were very heavy and extremely warm. They were oddly attractive, dark and broody,
but with shocking bits of red. No one
else I know had anything like them.
If you had quilts like this in your past, this is the book
for you.
Actually, if you are any type of quilter or artist, this book is for
you. This book celebrates the creative
streak that everyone has, wacky ideas made real, recycling (but not upcycling!),
tenacity, and personal endeavors of all kinds.
My favorite essay in the book is by Janneken Smucker. She
says, " As a quilt historian I've refuted many times the myth of the
scrap bag quilt, insisting that
historical quits typically were high-style objects of the middle and upper
classes, rather than utilitarian ones crafted with an economy of means. An then I see the collection of quilts R.K.
has assembled over the last decade, .... exhibiting creative reuse,
unconventional design, and an awareness of quilt making traditions ... These quilts make me think I know nothing
about quilts. These quilts break the
rules".
This is a highly recommended read.
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